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Aiyekooto Takes Afrobeat To Finland
By Cletus Nwachukwu
THERE
is no doubt about it, Afrobeat music is fast rising as the most widely accepted
form of music that transcends all racial, ethnic or class postulations. Today
Afrobeat music as played by its originator, the late Abami Eda, Fela
Anikulapo-Kuti, has continued to garner more converts and its alluring appeal is
awesome.
With several Afrobeat bands springing up in
the United States, Europe and Asia, particularly in Japan, today, even its
harshest critics have come to accept its phenomenal rise. Beyond the roles being
played by the likes of Femi Kuti and his younger brother Seun Kuti, the fire is
spreading widely and the music is becoming contagious.

Aiyekooto and his Afrobeat International were
voted as the Band of the Year 2008 on February 1 at the Funk Awards Gala in
Tavastia Club, Helsinki. Dishing exotic rhythms and positive vibrations, the band
has continued to throw up enthusiastic and energetic gigs at clubs and festivals
around the country.
Renowned
for its crowd-pleasing highlife funk rhythm, Aiyekooto is fastly turning a
maestro, ably
leading the diverse band including a
six-man horn section, a drummer, and three singers. The uniqueness of the band
is the infusio n
of two trombones, one trumpet and three saxophones that creates a truly fat, and
rhythmic African sound.
As part of his musical
revolution, which could also be likened to a jihad of sorts, Aiyekoto featured
prominently at a show held on October 3 to commemorate Nigeria's 48th
independence anniversary at Carlton Hotel, Voda Night Club in Helsinki. The
event, jointly organised by Naijaboyzdomain and African Independent Television (AIT)
also had sensational performances by Oluchi and Princess V.
Since the groovy nite
dubbed The Green & White Party, the Afrobeat musician has been in demand at
Tavastia and Rentolava. Remarkably, Aiyekooto's funkified and rhythmic Afrobeat
music has somewhat become the needed panacea to the perennial cold in Finland.
The heavy percussions of his music have not only helped to thrill the people, it
has equally been warning them up too.
With the valiant efforts of other Afrobeat
musicians in the diaspora like Sweden-based Oke Masima, without doubt, the
projection of Afrobeat music would soon hit the bull's eye. And then, as the
name Aiyekooto connotes, evil people would no longer have a hiding place.
Excerpt from : http://www.guardiannewsngr.com/life_style/article15/011108
October 2008 event partners and sponsor


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